

“56. What makes good glitch art good is that, amidst a seemingly endless flood of images, it maintains a sense of the wilderness within the computer.”— Hugh S. Manon and Daniel Temkin, Notes on Glitch
These textiles by Phillip Stearns are a collection of woven and knit blankets produced using images generated from short circuited cameras as pattern sources. This work can be described as an intersection of art, philosophy, and science in search for new paths for inquiries into understanding the state of (macro)things.
“These objects are layered with irony: a digital photographic image, made with an intentionally broken (rewired) camera, is mechanically woven or knit into a photo-blanket, commonly advertised as a kitsch object. An object advertised as a keepsake to cherish one’s memories now becomes a way to fashion corrupted memory, the cold logic of digital systems into a warm blanket,” says Stearns.
This project is related to the Year of the Glitch project and DCP Series of images produced with modified, obsolete Kodak digital cameras. ❚